Program – 23
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Date
(1/3) Wednesday, March 29, 2023
(2/3) Tuesday, April 18, 2023
(3/3) Tuesday, May 16, 2023
Format
3-part screening
Program
Program – 23
Running Time
Start
Open
9:15 h
8 PM
7–11:30 PM
Contact
Venue
Café des arts, Cité internationale des arts, 18 rue de l’Hôtel de ville, 75004 Paris, Métro Pont Marie
Screening
public
private
colour
Black and White
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Screening
Column
1/3
A
Visible Adversaries, reoccurring one shot, 1977, min 00:20–03:40
1/3
B
(a) The Victories of Art are Bought with a Loss of Character, Monsieur Roubignoles, 2012/2023, min 15:00–35:00; (b) Lamentations on Golf 1+2, Monsieur Roubignoles, 2015, 15:00 min
1/3
C
(a) Agent Kelly and all that is the Case, Roger van Voorhees, 2011, min 01:00–05:53, 08:53–09:57, 11:20–15:31; (b) 9th Annual Experimental Lecture, MM Serra, 2018, min 38:50–55:42
1/3
D
Theresa Hak Kyung Cha’s Manuscript for Performance sur Vampyr, Program – 23, 1976/2023, 01:00 min
1/3
E
Press Release for Tinted Spirit at Project Native Informant London 2022, Dozie Kanu, 2022, 11:55 min
1/3
F
(a) Adrian Williams and Filip Caranica at Inge Mahn and Nora Schultz, 2017, 20:55 min; (b) Vanessa Place on The Trout, 2019/2023, 05:00 min
1/3
G
Eros + Massacre, over-length feature film, 1969, min 73:00–144:00
2/3
A
Visible Adversaries, reoccurring one shot, 1977, min 00:20–03:40
2/3
B
Cultural Abolitionisms, 2021, 2023, Guillaume Maraud, 2021/2023, 29:00 min
2/3
C
Senses, Talking, How to Jill Johnston, Megan Francis Sullivan, 2020, min 05:22–09:24,13:04–23:19, 43:40–46:40
2/3
D
Moved by a Huge Crain, Program – 23, 1999/2023, 16:45 min
2/3
E
(a) Scene Sketch 1 01-06, Siw Umsonst, 2018, 01:30 min; Scene Sketch 2 01-04, Siw Umsonst, 2019, 02:30 min; (b) KÜHLPSALTER (klittern), after G.J., 24 March, 1970, BRUCH, 2023, 4:45 min; (c) A Rigid Column, Connor Tomaka, 2023, 21:00 min
2/3
F
(a) Post Time, Dana Munro, video, 2019, 02:50 min; (b) Performance documentation Soccer, Annette Wehrmann, 1991, 19:30 min
2/3
G
Eros + Massacre, over-length feature film, 1969, min 145:00–216:00
3/3
A
Visible Adversaries, reoccurring one shot, 1977, min 00:20–03:40
3/3
B
(a) The Victories of Art are Bought with a Loss of Character, Monsieur Roubignoles, 2012/2023, min 00:00–15:00; (b) Radical rationalization vs. Radical retreat, Program – 23, 2023, 01:00 min
3/3
C
In-House Letters, Self-evident Legibility, Nick Mauss, Ken Okiishi on Hanne Darboven, 2017, min 02:38–04:51, 12:54–20:28, 63:02–72:04
3/3
D
Letter Exchange, Ella Bergmann-Michel and Ilse Bing, Program – 23,1939/1950/2023, 05:30 min
3/3
E
(a) Old life, Michaela Kisling, 2022, 20:10 min; (b) A Trailer for Roheisen & Hutwetter: System of Science, First Part, the Phenomenology of Spirit; Part II: Hegel’s Preface, or: the Gimmick, 2023, Sophia Rohwetter, Sophia Eisenhut, 2023, 04:00 min; (c) Untitled, A E Brandt, 2018, 01:10 min
3/3
F
(a) J.S.’s Apartment, exhibition/apartment walk through, MM Serra, 1990, 08:30 min; (b) The Supporters (philanthropists’ gestures), screening version, Eva Barto, 2023, 12:00 min; (c) Sabotage @ 47 Orchard, K.ari.n Schneider, 2005, 3:45 min
3/3
G
Eros + Massacre, over-length feature film, 1969, min 00:00–72:00
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14.03.2023
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